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2. Doubt - Watching Oscar winners Philip Seymore Hoffman and Meryl Streep exchanging verbal blows is like watching two heavyweight prizefighters go at it for fifteen rounds in the ring. Hoffman plays Father Flynn a middle-school priest who is suspected by the Catholic school's principle, Sister Aloysius (Streep) to having an inappropriate relationship with the school's first African-American student, Donald Muller. Her evidence is Sister James (Amy Adams) saw Donald upset while returning from Father Flynn's office and smelling alter wine on his breath. Why wound anyone find a movie like this even remotely interesting, you ask? Start with Hoffman and Streep, trading sharp insults, dialogue and shouting contests like devastating blows. Add in the fact that John Patrick Shanley's own 2005 Pulitzer-winning play was excellently written and directed by him and you have a drama that never really tells all, but leaves you with doubts about Flynn and Aloysius and their motives. Did I forget to mention Doubt grabs you and pulls you in better than any other suspense thriller out there this year?
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4. WALL-E - After watching Ratatouille last year, I didn't think it possible how Pixar was going to top Brad Bird's beautiful and funny love letter to France and its culture. Enter director/co-writer Andrew Stanton's (Finding Nemo) story of WALL-E, the robot who has been cleaning up Earth's messes for over 700 years and his adventure with EVE, a robot sent from the spaceship Axiom to search for any signs of life on Earth, and you have another groundbreaking masterpiece that ranks with Pixar's other triumphs, Toy Story, Finding Nemo, The Incredibles, and Ratatouille. Sure, the story's warning's of complacency and corporate greed fucking up our planet will go over the heads of the kids, but the romance between WALL-E and EVE transcends generations, and includes some of the most moving sequences i've seen since Miles and Maya in Sideways. WALL-E shows Pixar Animation Studios at their peak powers and they're showing no signs of slowing down with their newest creation, Up!, due out next May.
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6. Frost/Nixon - Go ahead. Tell me that Ron Howard's take on the historic battle between disgraced former President Richard Nixon and talk show host David Frost has no relevance today or is the kind of filmmaking that'll put an audience to sleep faster than NyQuil. I say that the movie's themes of holding our elected officials accountable for their crimes is a much needed wake-up call. And if you should fall asleep during this knockout of a docudrama, then you're missing some of the most explosive acting you'll see all year. Frank Langella is remarkable playing Tricky Dick, trying to make a comeback and wash away the stench of Watergate and stay one step ahead of Frost and his crew. Michael Sheen is excellent as Frost, trying to make a big score from the Nixon interviews, mainly his reputation as more than a British playboy/talk show host. Oliver Platt and Sam Rockwell are excellent, each reporter out for blood.
7. Changeling - Even at the age of 78, Clint Eastwood can still pack one hell of an emotional punch. His new movie is based on a true story about Christine Collins' crusade to find her son who had gone missing. Her journey would unravel the LAPD's system of corruption, circa 1928, and their disturbing methods to silence anyone who would dare challenge them. Angelina Jolie is phenomenal, portraying the strength and heartache in Collins' struggle to discover the truth about her son's disappearance. And Eastwood, once again, creates a crime drama blistering with intensity that makes it nearly impossible to turn away.
8. Vicky Cristina Barcelona - Confession: i've never seen a Woody Allen movie before watching this hilarious and bittersweet comedy-drama about two female friends Vicky (Rebbecca Hall) and Cristina (Scarlett Johansson) spending the summer in Barcelona, Spain. Fans of Allen's dialogue will love Oscar-winner Javier Bardem and Oscar-nominee Penelope Cruz trading off his unique and delicious Allen-isms in Spanish. Speaking of Oscars, Cruz will get the golden statue for her funny and heartbreaking turn as Maria Elena, Juan Antonio's ex-wife filled with passion that's untamed and inner sorrow that's unable to heal. She's funny and devastating all at once.
9. Australia - Baz Luhrmann's romantic epic about a Brit snob (Nicole Kidman) coming to Australia to take over his deceased husband's cattle ranch and falling in love with a hardened cowboy (a suave and sexy Hugh Jackman) is ambitious. The size, scope, look and feel scream Gone With the Wind and Casablanca all at once. Mind you, he doesn't totally pull it off (clocks in at nearly three hours, and do we really need the chorus of "Over the Rainbow" at every damn tear-jerking moment?) but at least the man has ambitions and the stones to see it through, something that's missing in most movies these days. You can take Australia as a cliched-riddled knockoff to romantic epics of the past. Or you look at it as a gorgeous and vividly beautiful love letter to an age of filmmaking long since forgotten, disguised as a tribute to Luhrmann's native land. I'll take the latter.
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